Jesse

When I was in Melanesia, staiying with the Melanesian Brotherhood in Tabalia, I made friends with a young child called Jesse. He was playing with a tiny kitten (called ‘gift’), and was saying the rhyme that my mum used to say – “rat a tat tat, who’s that? Only grandma’s pussy cat. Where’s your money? In my pocket. Where’s your pocket? I forgot it. Oh you silly pussy cat!” He was delighted when I joined in with the rhyme and we became firm friends for the next few days.

I met a kid called Jesse, maybe 4
or 5 years old. His dad was visiting
the place where I was staying. On the porch
a kitten and a parrot with a wing
that wouldn’t work. At first he was quite shy
but soon he opened up and we would chat
in broken English and in Pigin – I
could never quite get confident with that.
The kitten, like the child, was only young.
The parrot, like the child, was filled with joy.
And I, just like the child, felt small. Among
These holy men of faith I am a boy.
But then the words of Jesus come to mind:
Be like this child – God’s Kingdom you will find.

(c) Rich Clarkson 2026

Falling

One of the most moving encounters in my time in Melanesia was with George. He moved to his village when he was a child from his home island of Sikaiana, which is about 100 miles out into the Pacific. He showed me a tree on the shoreline where he prays every day, but because of Climate Change the tree is threatened by the rising sea levels and he said to me “if the tree falls I will too”. His community only has about 10 years left before their village will be washed away by the sea.

He landed here when he was only eight
Crossed a hundred miles of ocean on the way
Left his island and his heart to make a brand new start
In this strange and unfamiliar place

When he left his boat he sat under a tree
It was only small, like him, but he could see
The horizon far away and he knew beyond it lay
His home, his heart, his history

And the tree grew bigger as the years passed by
And he built a life here under strange new skies
But the tree was watered by the tears he’d cry
For his far off far off home

He watched with pride as all his children grew
And then he watched his grandchildren too
As they laid down their roots And started to bear fruit
In the only place they ever knew

His tree became a refuge for his soul
His confidante, his muse, his hiding hole
He would visit every day to sit, and watch, and pray
To restore his heart and be made whole

And the tree grew bigger as the years passed by
And he built a life here under strange new skies
But the tree was watered by the tears he’d cry
For his far off far off home

One day while he was walking to the shore
It seemed a little closer than before
As slowly day by day the land was washed away
And his tree wasn’t safe there anymore

For the second time in his life he knew
What this meant and what they’d have to do
It was time to move on before his tree was gone
Because if it fell he knew that he would too

And so the tree grew smaller as they sailed away
In search of a new life and a brighter day
But the tears feel freely as he bid goodbye
To his far off far off home

(c) Rich Clarkson 2025

Waves

As I was preparing for my visit to Melanesia I had a conversation with a priest from Guadalcanal. I asked him about the impact of Climate Change on his islands and he spoke about the work they are doing to protect themselves, building sea walls and moving inland, but then he said “but the waves keep coming”. I wrote this song based on that phrase., the character in the story is fictional but it is an all too real story.

As a child he sailed beyond the reef where all is sky and ocean
He learned to trust the wind and waves, their rhythm and their motion
Out there on the endless blue he fell in love with water
His island was his own canoe, his lifeline and supporter

But the waves keep coming and the waves keep coming
and the waves keep coming and they’re washing it all away…

He built his house beside the shore, a stones throw from the coastline
Looking out towards the sea where he would spend the most time
Casting out his fishing nets and hauling in his quota
Hoping that come market time he’d keep his world afloat

But the waves keep coming and the waves keep coming
and the waves keep coming and they’re washing it all away…

It didn’t happen all at once, it took a while to spot it
The slow surrender of the beach ’till nobody could stop it
The water which he’d learned to trust around him now was rising
This skilled seafarer could not stop his island from capsizing

And the waves keep coming and the waves keep coming
and the waves keep coming and they’re washing it all away…

He lives up on the mainland now, safe distance from the water
He works a steady job and has a wife, a son, a daughter
But when he sees those distant waves he fills up with emotion
The quiet tears roll down his cheek… salt water, like the ocean

And the waves keep coming and the waves keep coming
and the waves keep coming and they’re washing it all away…
…they’re washing the world away

(c) Rich Clarkson 2025

Blackbird

Bishop Selwyn appointed John Coleridge Patteson as the first Bishop of Melanesia. He was well loved and respected, but got caught up and killed in a dispute over the practice of ‘blackbirding’, stealing or coercing young men from Pacific islands into forced labour on plantations in Australia—a practice that continued well into the 20th Century. The island where Patteson was killed, Nukapu, still carries the shame of that mistake.

Out in the Pacific there’s a tiny coral island where
A hundred strong community all live off the abundance of the reef
The soil is fertile here and has been for three thousand years
The fruit hangs heavy on the trees, Nukapu giving everything they need

And the waters rise under endless skies
And the blackbirds fly and steal the future away
And the waters swirl as the outside world
Comes crashing in, what will it bring?

Back in 1871 a trading vessel came along
At gunpoint stole five men away and sold them in Australia as slaves
When this cruel deed was done came peaceful bishop Patteson
Mistaking them for slavers too they killed the bishop and two of his crew

And the waters rise under endless skies
And the blackbirds fly and steal the future away
And the waters swirl as the outside world
Comes crashing in, what will it bring?

But when they realised what they had done
They did their best to make amends
‘cos if the violent cycle carries on
Where will it end?

I met a man named Patrick whose Grandfather ran the island school
He told me “we are peaceful men,
Don’t judge us by the worst thing we have done”
But now the rising seas are ending this community
I said to him “forgive me too, this is the worst thing we will ever do”

And the waters rise under endless skies
And the blackbirds fly and steal the future away
And the waters swirl as the outside world
Comes crashing through, what will we do?

(c) Rich Clarkson 2025

Pacific Sunrise / Sunset

I wrote this pair of songs to top and tail my album of songs and poems from Melanesia. A lot of the writing focusses on the challenges the region is facing but I wanted to draw out the beauty of the place too.

Pacific Sunrise

Morning is breaking over the Islands
A new day awaiting the warmth of the sun
Fishing boats bobbing out in the ocean
Bid their farewell to the stars
Myna birds argue
Kauri trees rustle
As I greet the sunrise on these happy isles

Morning is breaking over the coral
Turtles awaiting the flow of the tide
A frigate bird saunters down from the mountains
As parrots pair off in the trees
Coconuts falling
mangoes are ripening
As I greet the sunrise on these happy isles

Morning is breaking over the village
Children awaiting the long walk to school
Dusty roads bringing vans full of people
Waving as they journey by
Dock workers calling
Worshippers singing
As I greet the sunrise on these happy isles

(c) Rich Clarkson 2026

~ ~ ~ ~ ~

Pacific Sunset

Evening is falling over the islands
Loudspeakers calling down at the port
Shadows are stretching out from the rooftops
As sandals line up by the doors
Shutters are closing
Crickets are singing
As I watch the sunset on these happy isles

Evening is falling over the coral
Whale song is calling out from the deep
Butterflies flicker with flashes of colour
Under the brightening stars
An aeroplane circles
Ants keep on working
As I watch the sunset on these happy isles

Evening is falling over the village
Chickens are calling out from their pens
Radios crackle with far away football
and children bed down for the night
Banana trees listen
As waves tumble gently
And I watch the sunset on these happy isles

(c) Rich Clarkson 2026

Summertime: A Crown of Sonnets

A Crown of Sonnets is a sequence of fifteen poems where the last line of each becomes the first line of the next, with the final poem consisting of the first line of each sonnet in turn. These sonnets are a sort of theme and variation, all picking up on ideas of what is seen and unseen, known and unknown, visible and hidden. The initial inspiration came from reading the novel What We Can Know by Ian McEwan, which is about a Crown of Sonnets that is lost and passes into legend. Reading this book while camping in the Forest of Dean and watching the solar eclipse of 2026 provided the spark for the following work.

~ ~ ~ ~ ~

I – Stars
We lie out on the grass beneath the stars,
Clinging tightly as the planet spins.
Below, the porous sky offers (at last)
a respite from the heat. Above, our skin
is prickled with the residue of day-
time’s jollities, vacation’s dusty sheen
that lingers long beyond the act of play,
and fills the heart with treasures pure and clean.
Darkness deepens. Galaxies emerge.
First distant pinpricks then, with time, our own,
as you, and I, and air, and grass converge –
minuscule beneath this vast unknown.
Yet, as we watch, the vastness shrinks, ’till now
the plough is buried handle deep in cloud.

II – Plough
The plough is buried handle deep. In cloud
of thought I absent mindedly attempt
to raise its rusted frame but it has vowed,
like Arthur’s fabled sword, it will prevent
my hollow efforts. I move down the lane
towards the holy place where I am staying –
humility where opulence once reigned,
I join St Francis’ brothers in their praying.
This is my first time here among these men
and yet their words rest easy on my tongue.
They resonate with all those past Amens
in many places – local and far flung –
that give shape to the world and now transfigure
time, and all that ought to feel familiar.

III – Eclipse
All that ought to feel familiar
is turned upon its head as, in the sky,
the sun begins to darken, there’s a chill here –
unseasonal, perhaps, but not surprising.
The daytime moon has turned her back – her gaze,
like ours, is focused wholly on the sun
and, as she slowly blocks our view, today’s
eclipse is safely stored for years to come
in memories and photo reels. And yet
what makes this moment memorable, it seems,
is not what we can see, that coronet
of light, but rather what becomes unseen.
Our brightest, closest star, that shines so proud
is, as we watch, concealed within its shroud.

IV – Truth
While we watch, concealed within its shroud,
the truth is in a battle for its soul.
As quiet, hard won expertise is drowned
by louder voices shouting for control,
and slow, reflective honesty is left
behind by endless novelty that cares
for little but its own relentless theft
of real life in pursuit of likes and shares.
If you don’t like the facts then choose your own!
If history’s unhelpful just forget!
If you prefer your evidence homegrown
then that’s ok, it’s up to you! And yet,
while we debate the truth’s right to existence,
wildfire smoke is rising in the distance.

V – Smoke
The wildfire smoke is rising in the distance,
shadowing the corners of the mind
and voicing with liturgical insistence
its litany, blood red on the horizon.
The buzzards circle watchfully above us,
the jackdaws vesper in the library’s eaves
as this day’s long lament joins countless others
blanketing the earth like Autumn leaves.
The wizened, fearful trees waiting their blazing,
The drought-scoured land dismantled by a gust,
bear sacramental witness to our cravings
and remind us that we too are ash and dust.
Can we avert our eyes from nature’s glare
as the gravity of grief hangs in the air?

VI – Robin
The gravity of grief hangs in the air,
the gathered few stand quietly around
listening as the usual time-worn prayers
accompany her journey to the ground.
Eyes, reddened by the memory of absence,
are caught by movement in a nearby tree –
a flickering of bloodshot feathers, dancing
with spirit-filled abandonment. This free
display of joy brings smiles to sorrowed faces
and hope to hearts held captive by distress.
In Heaven’s great economy of graces
the Robin – comforter-in-chief – is blessed.
When grief’s deep darkness threatens to eclipse us,
to lift our eyes beyond is our resistance.

VII – Beyond
To lift our eyes beyond is our resistance.
To shine more brightly when the shadows swell.
To face up to injustice with persistence.
To do the small things and to do them well.
To seek the sacred image in a stranger.
To hold the weary silence of a friend.
To reach across divides despite the danger.
To set off without knowing how it ends.
To paint a picture for a loved one’s pleasure.
To write a poem for your own delight.
To make the world more beautiful is treasure
that lifts our eyes beyond the darkest night
and helps us see through others eyes and cares,
reminding us of all that we still share.

VIII – Candle
Reminding us of all that we still share,
a single candle flickers by the wall
lit by an unknown hand. The dampening air
of early Autumn rises and then falls
around its brittle warmth. I wonder who
entered this ancient place today and why?
What sorrow, anxiousness, or gratitude
led them to leave behind this guttering light?
And where did they go next? What did they face
beyond those wooden doors? I hope they found
what they were looking for, the strength, the grace
to carry them beyond this holy ground.
What we hold in the light can be endured,
but what is lost, in memory is obscured.

IX – Forgotten
What is lost in memory – obscured
by time’s incessant impetus that winds
the present, past, and future up in cords
of gossamer and starlight, holding minds
in captive thrall to those few winding threads
that steal the right to tell us how things are,
discarding all those footnotes left unsaid
for so long that they cease to be regarded –
is there beneath the pelt of what’s remembered,
another world still hidden in plain sight,
a story told in buried charcoal embers,
in standing stones and constellations light-
years wide, in Grey Hair-Grass and Sphagnum Mosses,
in local place names etched into our maps,
it’s shrouded in obscure lexical glosses
and chanted over skipping ropes and claps,
truths that weave through earth’s long tapestry
beyond all that our fleeting eyes can see.

X – Lighthouse
Beyond all that our fleeting eyes can see
the distant lighthouse watches from its cliff,
standing firm against the trickery,
the shifting, metamorphic lies, where rifts
and outcrops rise and fall, where dangers lurk
for vessels passing through those Scyllan straits
and as each ship arrives it gets to work,
illumining the dangers that await
while we, in landlocked safety, pay no mind
to those far fractile edges of the land,
their wild igneous columns and skewed lines
of sedimental strata. Understand
that what we do not see, what we ignore
is, even now, the rock that keeps us moored.

XI – Lithos
Even now, the rock that keeps us moored
is lying where an angry Giant threw it.
The Lightning Stone (of this we are assured
by local legend so we know it’s true) sits
mossed and mottled deep within the woods
like some great Incan artefact. The trees
have cloaked it all around with ligneous hood,
while passers by pass by and do not see.
And yet this boulder (so the story goes)
is all that holds together earth and sky:
The light shines in the undergrowth, and so
the winter’s creeping darkness is defied.
Such forgotten tales can surely be
the hope that binds us to reality.

XII – Reality
The hope that binds us to reality
is found in the most ordinary places.
In craggy-raftered pubs and rickety
old village halls, community centre basements,
back room cafés, steam train-sooted churches,
beneath the flickering fluorescent lights
of tower blocks, on huddled up park benches,
in any place where people still delight
in meeting up together. This is what
is real, not artificial, not a trace
of algorithmic pressure, just a spot
where two or three are gathered face to face.
Side by side we breathe night’s hope-filled air
while we gaze on galaxies afar.

XIII – Galaxies
As we gaze on galaxies afar,
their light falling like drifts of Easter snow
upon our waiting retinas, we are
time travellers, adventurers. We go
a hundred thousand years or more beyond
the reach of our quotidian demands,
leaving present cares behind, absconding
from this little world. There’s something grand
in stepping in the blinking of an eye
into the distant past, to be the end,
the terminus, of a photon’s epic flight
across the universe. So we attend
with care to heaven’s fragile falling shards,
our hearts still gladdened by the shooting stars.

XIV – Statue
Hearts still gladdened by the shooting stars,
hand in hand we set off past the tents –
our temporary lodgings – past the cars,
past outlawed barbeques emitting scents
of now forbidden charcoal, through the gate
past dog bags hanging like some gruesome warning
to those who enter here, beneath the great
tall pines, past bracken stretching in the morning
mist, down to the statue where we gather
for one last photograph before we go
our separate ways, one final game together,
and then the holiday is done. We know
one day we will look back on precious hours
when we lay on the grass beneath the stars.

XV – Occlusion
We lie out on the grass beneath the stars –
The plough is buried handle deep in cloud
and all that ought to feel familiar
is, as we watch, concealed within its shroud.
The wildfire smoke is rising in the distance,
The gravity of grief hangs in the air.
To lift our eyes beyond is our resistance,
Reminding us of all that we still share.
Yet what is lost, in memory obscured,
beyond all that our fleeting eyes can see
is, even now, the rock that keeps us moored,
The hope that binds us to reality.
And so we gaze on galaxies afar,
Our hearts still gladdened by the shooting stars.

(c) Rich Clarkson 2026

Photo by Abhishek Koli on Unsplash

Maple Tree

I’ve been at a conference with the Society for Liturgical Study this week, and I wrote this poem on the final day to sum up some of what we had been thinking about over the week.

~~~~~

The maple tree, through open window, listens
as we inside delve deeply into all
that happens when our worshipping traditions
are woven through the crises that befall
the natural world, our planet, God’s creation.
We weigh up and discuss what it might mean
to worship in lament and jubilation
in partnership with life, seen and unseen.
We study and explore our rites and rituals,
Ponder the circularity of time,
Critique our prayerbooks, liturgies and missals
and contemplate the places where they rhyme.
And all the while, outside the window, swaying
gently in the breeze our Sister Maple Tree is praying.

© Rich Clarkson 2026

Photo by Ehud Neuhaus on Unsplash

O Lord, who at your Eucharist did pray

I’m currently at a conference with the Society For Liturgical Study in Leeds, which is on the theme of ‘Liturgy and Creation’.  In last night’s keynote address, Margaret Daly-Denton offered the challenge to rewrite the hymn “O Thou who at thy Eucharist didst pray” (William Turton 1856-1938) to draw in the unity of all creation, not just Christian unity. This is my attempt to do that!

~~~~~

O Lord, who at your Eucharist did pray
That all your Church might be for ever one,
Grant us, despite our differences, to say
With hopeful heart and soul, ‘your will be done.’
Oh, may we all one Bread, one Body be,
And round the world be joined in unity.

O Lord, who in your incarnation came
That all creation may, in you, be healed,
Grant us, who call upon your holy name,
To live our lives that you may be revealed.
Oh, may your creatures – human, tame, and wild –
Through Christ our maker now be reconciled.

O Lord, who in your resurrection gave
New life to all and broke the chains of death
Grant us, who you have rescued from the grave
To praise you with our every living breath
May we, with all creation, join as one,
United now with Father, Spirit, Son.

© Rich Clarkson 2026

Calling

Summoned to the bedside of the dying,
I slip into a house where every room
is heavy with grief’s incense. This is not
my first time through this door, just weeks ago
I sat in this front room, listening and praying,
anticipating all that was to come,
that is now here.  What can I do but sit
here listening and praying once again.

I pull out of my pocket a small jar
of oil and take those still warm hands in mine:
“Lord lettest now thy servant depart in peace.”
The fragrance of the oil anoints the air
as I depart, leaving transfigured grief.

Unsure of what to do I make my way
uphill, to find a churchyard bench where I
release the breath I hadn’t realised I’d
been holding in.  I sit and watch three birds
who circle gently in the distance over
that same house which I had visited
and then, as I watch on, they make their way
towards me, and beyond, and out of sight.

“You cannot bear this weight in your own strength.”
Those ordination words come to my mind
and I find comfort in the thought. I watch
a buzzard spiral upwards, hear the breeze
flow through the bracken, watch the ants at work,
and place myself within the larger whole
of God’s creation, full of grief, and joy,
and life, and death, and life. And in my hand
I feel again the little jar of oil,
still warm and fragrant, like the tears that fall.

(c) Rich Clarkson 2026

Picture by Pavlo Semeniuk on Unsplash

The Ballad of Jean Stablinski

Jean Stablinski was a professional cyclist, with a remarkable life story. It seemed appropriate to turn it into a ballad!

Born 1932, son of a miner who
Died when the Nazis came – Jean kept the family name
Went to work down the mine When he was only nine
By fourteen he was strong Pushing the trucks along

Under the cobblestones All that he’d ever known
There in the Hell of the North
From humble beginnings he wrote his own song
This is the ballad of Jean, Jean Stablinski

Jean played accordion, entered a contest and
Won his first racing bike – this moment changed his life
He began entering races and he would win
Known for his smart attacks, he’d take prize money back

Over the cobblestones…

He turned professional, rode with Jacques Anquetil
Helped Monsieur Jacques to win just about everything
Then 1962 all of his dreams came true
Jean was world champion, better than everyone

Over the cobblestones…

In 1968 Paris-Roubaix awaits
Jean was asked if he knew roads that they could go through
In his mind he went back to that old mining track
He used to work below, now on his bike he’d go

Over the cobblestones…

Long after he retired Jean was loved and admired
“Friend of the cobbles” he rode his bike until he
Crossed that great finish line when he was 75
Now every year they race past his memorial place and

Onto the cobble stones…

(c) Rich Clarkson 2025

The Times They Are A-Changin’ (Palm Sunday version)

Inspired by the anti-far right and No Kings rallies around the world today, I’ve rewritten Bob Dylan’s classic protest song to imagine how it might have been sung on the first Palm Sunday…

Come gather round people wherever you roam
Galilee or Judea, Corinth or Rome
Wherever you’ve travelled from this is your home
Jerusalem’s festival is waiting
And the king on a donkey is one of our own
Yeah the times they are a-changing

Come prophets and teachers, come Pharisees too
And see what the King on his donkey will do
If you’re cheating the poor then he’s coming for you
And he isn’t afraid to turn tables
He will take your injustice and replace it with the truth
Yeah the times they are a-changing

Come kings on your thrones with your weapons in hand
And armies in readiness at your command
Leaving trails of destruction all over the land
As you sit there ranting and raging
But the king on the donkey has peace in his hands
For the times they are a-changing

Come women and men, the old and the young,
The uncertain, the lonely, the prodigal sons,
Let the king on the donkey loosen your tongue
Grab your palm branches high and start waving
There’s plenty of Hosannas left to be sung
For the times they are a-changing

The line it is drawn, the die it is cast,
And the world as we know it will soon be surpassed
Cos the king on the donkey is coming on fast
The old order is rapidly fading
Yeah the last shall be first and the first shall be last
For the times they are a-changing

Reading The Confessor in the Cathedral Crypt

I had a retreat day in Worcester before Christmas, and spent some time reading my favourite 7th Century theologian (everyone has one right?!) in the cathedral crypt which felt very fitting.

I’ve read his works in countless different places –
the library, in my office, in the woods,
on small Pacific islands. My bookcases
are interwoven with his every word.
For fifteen years he’s been my mind’s companion,
I’ve written, preached, prayed, studied, questioned, learned.
His deep reflective faith has been a lantern
Illuminating my own faith in turn
But somehow, here, today, among the ancient
prayer-soaked stones of this cathedral crypt,
beneath the hum of advent preparations,
his ancient prayer-soaked words perfectly fit.
I find myself held out of time and space
reading St Maximus in this holy place.

(c) Rich Clarkson 2026

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