Better Place

Going through a little ‘protest song’ writing phase – here’s a fun one inspired by Frank Turner

I just want to write a song to make the world a better place
Something you can sing along to with a smile upon your face
When the world is going wrong and everything is a disgrace
I just want to sing a song to make the world a better place
Do do do do do do do (x4)

I don’t really wanna write another angry song for you
Climate change and genocide and hate can leave you feeling blue
Everything is all the time I find it overwhelming too
So I don’t really wanna sing another angry song for you
Do do do…

All I want to do is try and write a song and have some fun
I can’t change the world and nor can you but if we work as one
Spreading kindness and compassion we will see what can be done
All I want to do is try and sing a song and have some fun
Do do do…

I just want to write a song to make the world a better place
Something you can sing along to with a smile upon your face
Maybe sneak a little bit of protest in it just in case
Together we can sing a song then make the world a better place
Do do do…

(c) Rich Clarkson 2025

Photo by Caio Silva on Unsplash

Old Trafford in the Rain (Wisden Writing Competition entry)

I entered this into the Wisden Cricket Writing Competition which at this stage feels like the only way I’m going to get my name into those hallowed pages!

Old Trafford In The Rain

There’s something very right about the scene.
A fond familiarity that’s borne
of annual pilgrimage.

My first memory of visiting Old Trafford is drowned out by the noise of the old train line and the disappointment of an early Kevin Pietersen wicket at the hands of Umar Gul. We switched allegiances to Trent Bridge for a few years after that, then to Edgbaston for convenience sake, but eventually we were drawn back to the North West and a newly rotated ground which sat under the same heavy Lancastrian skies.

The grass, so green,
still somehow shines in spite of clouds whose mournful
tears are powerless to wash away
the hope, the faith, we’ll get to see some play.

As the train pulls into the station the news ripples down the carriage. Phones emerge and the mood turns from anticipation to confusion to anger. They’ve pulled out of the match. Covid in the team camp. The game’s off. After the turmoil of the past year and a half, this was supposed to be a return to normality, familiarity, but the pandemic wasn’t done dashing our hopes just yet. A gloomy coffee in a Manchester station café as the reality sinks in. We won’t see any cricket today.

A pair of wagtails dance across the lea
their piebald pattern drawing watchful eyes
as they make their inspection, then they flee
their counterparts – same colours, different size.

We sat half way up the vast temporary stand as Eoin Morgan thrashed the Afghanistan bowlers into the crowd a record number of times, driving his team towards that famous Sunday afternoon at Lords. As entertaining as it was, I didn’t notice the birds that day, and I found myself missing the slower rhythms of Test Cricket. We sat in almost the same seats a few years later as Zac Crawley took on the Australians in much the same way. The Wagtails kept a watchful distance this time, as the colour of the ball made little difference to the pace of the game.

The umpires strut across the field, we wait
for news of their decision and our fate.

I arrive early, and take my seat clad in full waterproofs. The rain is still falling but the outfield is awash with activity. The pigeons eat their fill on the summer-worn pitches. Dad messages to say his train is delayed. So is the match, I reply, then I sit, and I wait, and I watch. The old desert monks of the 4th century had a word for this – Prosoche, the art of attention. They’d have enjoyed Test Cricket. The clock ticks slowly on, and as we sit quietly together my mind is filled with recollections of past glories and frustrations here. Eventually, well into the afternoon, the umpire calls play, and this match joins the others in my memory of this sacred place.

Old Trafford in the rain. My dad and me.
There’s truly nowhere else I’d rather be

(Rich Clarkson, October 2024)

Laudato Si

A Poem for Pope Francis, 1936-2025

Laudato Si, praise be to you O Lord,
For Brother Francis who, with grace and poise,
spoke up for the oppressed, unseen, ignored,
forgotten, giving them a faithful voice.
Laudato Si, praise be to you O Lord,
For Brother Francis who, with strength of mind,
stood up for your creation and restored
its honour in the eyes of humankind.
Laudato Si, praise be to you O Lord,
For Brother Francis who, with dignity,
laid down his privilege to serve the poor,
pointing towards a world where all are free.
A faithful servant, may he rest in peace:
For Brother Francis, Lord, Laudato Si.

Rich Clarkson, Easter Monday 2025

After Wordsworth

This was written for the Daffodil Days weekend at St Peter’s, Kinver

I wait, as patient as the laden clouds
that drift on by towards the distant hills.
They journey high above the furrowed brow
of fresh ploughed field, bearing their burden still.
I wait, as patient as the quiet grass
that, clinging tightly to the hardening earth,
longs for the star-chilled wintertime to pass
and all the warming sun may bring to birth.
I wait, as patient as the ancient stones
now settled gently in this once strange land.
though filled with rage a thousand storms have blown
they – weathered, prayer-soaked, resolute – still stand.
I wait, patience rewarded with the thrill
of seeing Spring bring forth a host of golden daffodils.

Photo by Aaron Burden on Unsplash

King of the Acorns

The title of this song, “King of the Acorns”, sat on my notes app on my phone for about 2 years before I finally turned it into a song – I hope it was worth the wait!

Scratch beneath the surface of the earth
It’s his domain that’s he’s claimed
And he returns to it again and again and again
His hidden treasure hoard, safely stored
In woods and in parks
and as the dark winter hardens
The gardens he leaves his mark

He’s the king of the acorns, the king of the trees
The king of the soil and the soul of the seeds
He’s the king of the autumn, king of the spring
King of whatever the winter may bring
He’s the king of the garden, king of the park
King of the dawn and the dusk and the dark
And the light and the day and the night
It’s all his by right
He’s the king of the acorns

Looking down from on high
As the sky collides with the ground
His hide and seek quarry is found
With the instincts of a bloodhound
He knows his labours through the year
Are hidden here and he must clear it all
Before it disappears like morning mist
and schoolboy fears

He’s the king of the acorns…

(c) Rich Clarkson 2025

Photo by Gary Fultz on unsplash.com

Take my life and let it be

I’m part of an online worship songwriting group and each month we are set a new challenge.  This is my take on the theme of “commitment songs”.  It draws on the old hymn “take my life and let it be”, and a prayer from the licensing service of a new vicar

Take my life and let it be
Rooted firmly like a tree
Planted by the waters of your love
Take my mind and let it soar
Like an eagle, searching for
All the truth that’s hidden in your love

Every moment, every day
Everything I have, I pray
Take my life and fill it with your love

Take my lips and let my words
Sing your praises like the birds
Every breath a story of your love
Take my heart and let it blaze
Like a fire, filled with praise
For your burning, never failing love

The Ravens Go Dancing

The ravens are dancing together
as the sunlight warms the air
burning off the mists and cares
of the late autumn weather
and the ravens go dancing together

The children are walking together
and their voices fill the air
as the classroom calls them where
from their earthbound endeavours
they watch ravens go dancing together

The passengers jostle together
daily gossip twists the air
into tales of who and where
and what happened and never
notice ravens go dancing together

The loved ones all gather together
as the bells resound the air
and in hope and joy they swear
to be faithful forever
like the ravens out dancing together

The curtains are long drawn together
silent memory soaks the air
while a rasping whispered prayer
rises fragrant as heather
where the ravens are dancing together

The ravens are dancing together
weaving magic in the air
all of life below them sharing
the spell of their feathers
like the ravens we’re dancing together
life is just dancing together
the ravens are dancing

(c) Rich Clarkson, 2024

Photo by Alexandr Rusnac on Unsplash

Remembrance Evensongs

The stones hold still around us, as they have
for countless generations long since gone.
The oak and slate which shelter chancel, nave
and sanctuary, enabling our songs
to rise up as the autumn evening darkens,
like all that lies beyond this place, grow dim.
The candles flicker, echoing the sparkle
of hidden stars, and distant bombs. Within
these walls we are both separate and connected
with all who long for peace this holy night,
with all who search for shelter, unprotected
from the falling tears of war that blur their sight.
We see them now in our imaginations
though we cannot imagine what their life
must be. We offer prayers of supplication
on their behalf and hold them in their grief.
On this solemn day of deep remembrance,
in a world that seems so full of dark and cold
we hold on to their memory like the embers
of a bonfire, glowing with light and hope and gold
and as we fan those flames we are reminded
that we are called to keep that fire ablaze
and shining bright, that others too may find it
and in its warmth and light live out their days
in peace. In peace. In peace. And not in pieces.
To see God’s image torn apart by fear
in hospitals and fields and camps and beaches
and only pray it doesn’t happen here
within these sacred walls that for a thousand
years have held the sanctity of life
yet they are we and we are they, and shrouded
by the mists of war we join them in their strife.
In this safe place, this holy place, this shelter,
this refuge from the world outside we find
that in all our magnificats and psalters
the sorrows of the world are brought to mind
and held before us like a candle, flickering
in God’s presence where it all belongs
continuing its long, slow, healing. Quickening
our spirits as we raise our evensongs.

Confetti (or, The Woods Are My Parish Too)

Birch and beech link arms across my path.
Like bride and groom they make their lychgate shelter
while oak’s confettied leaves fly helter skelter
in the wind.  Above I hear the laughter
of squirrels sharing chestnut sacrament,
ready to give anointing from on high
to unsuspecting laity, but I
am wise to their irreverent intent
for I am, after all, their parish priest
and they, like every blade of grass, my flock.
As I process crows scatter like a prayerbook
congregation after Eucharist.
A pair of ravens pass episcopally
overhead.  They share with me the cure
of souls in this peculiar parish corner,
so filled with jubilance and melancholy
as all that lives within it strives to be
transfigured slowly into holy ground.
I pause, enraptured by this most profound
realisation.  In my mind mycelial
connections start to form, joining the roots
that flow from these parochial woods with those
of rainforest and tundra, kelp and mangrove
and all life on this fragile world, whose beauty
is sustained, renewed, depleted, every day,
transforming the ground beneath our roughshod feet
and hallowing earth’s tender skin with sweet
composted incense.  As I leave I say
a whispered benediction knowing I,
not they, have had the blessing here. I move
from sanctuary to chancel, nave, then through
the gates, and out beneath the opening sky.

© Rich Clarkson, October 2024

St Michael-on-Greenhill

I was performing a concert of my songs and poems at St Michael-on-Greenhill Church in Lichfield, and had some time beforehand to wander around the stunning Churchyard there. I wrote this poem while I was there and read it at the concert that evening.

Stones rise unsteadily from teeming ground,
the order that they used to give long gone
replaced by flowing jubilant growth, profound
reminders that even in death, life goes on.
Their slate-hewn epitaphs hold hints of those
who walked before us on this hallowed hill,
What hidden wisdom lies within these rows?
What might their stories long to teach us still?
St Michael, so the ancient stories tell,
stands guard over the faithful at their end.
Now Ash, Birch, Hawthorn, Bramble join as well
the company of angels, watchful friends.
And we, upon this life-filled ground tonight
Are bathed with them in heaven’s unseen light

(c) Rich Clarkson, August 2024

Symphony

Awake, I track the rhythms of the rain.
It moves, pulsates, across the anxious canvas.
My heart lifts as it fades away but then
it rebuilds, a crescendo in the blackness.
The wind joins in. Its harmony enhances
the theme that rain has introduced. They play
together, old companions in these dances,
yet each night there is something new to say.
Now other voices join them in their sonic
experiments. A bark. A siren’s call.
A distant crash. A gunshot? This symphonic
composition holds me captive in its thrall
until, at last, night’s symphony gives way
to fragile, fractured sleep, and quiet day.

© Rich Clarkson, August 2024

On The Structure Of Prayer

I sometimes worry that I try too hard
to organise or plan my life of prayer,
to go against my nature, disregard
my instincts, stifle that creative flair
in search of rules that help others be free
but leave a lingering taste of guilt for me.
But then, when I reflect again upon it
I start to wonder if I’ve got it wrong.
Is it like the structure of a sonnet
or the chord progression of a song
Which hold within them endless permutation,
making space for joyful improvisation.
Construction not constriction, comes with seeing
prayer, not as what we do,
but rather as a way of being.

(c) Rich Clarkson, April 2024

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